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I'm choreographing the second half of the new novel and wow, it's hard not to complexify this thing. The events are all threaded along a single impulse (or two co-related impulses), but taking the long-view that just looks so incredibly simplistic.
At least, I suppose, I'm not dropping the villains down a newly-made canyon after twenty-six issues of menace. (Actually, I liked the ending of Planetary, for what it was. I just hope twenty-seven has at least one return/reveal up its sleeve.)
It's probably a good thing I'm not any kind of hardcore realist. |
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