| | | I'd like to add to this but perhaps broaden the discussion a little bit. If you feel I'm going to randomly off-topic I can always kick it into another thread. One of the ideas I wanted to discuss was what makes a book magickal, beyond just describing techniques?
I'm thinking of big black grimores and Necronomicon's here.
I started this thread a while back but no one got into it. What I'm interested in is the whole idea of books that you go back to over and over again, which you're continually seeing new things in, even if there as enigmatic as hell to start with. It's a kind of Derrida-ian (?) idea, the reader as author of a text, I think that quote wherever I read it, about only needing a dozen or so books was right. The one's you continually refer to eventually become part of your creative process. A mirror of sorts. Some magical books state this quite explictly - Kenneth Grant's for instance.
As well as the Peter Redgrove book mentioned in the thread linked, I'd put down Austin Spare's "Book of Pleasure" - despite being absolutely fucking baffling first time I read it, I like it more and more over the years. It was here he created sigilisation as we know it, inspired a whole generation of magicians etc etc. There's depths and hints to this book that havn't crossed over to what's popularly understood about Chaos Magick - and he was only twenty fucking seven when he published it!
Another catergory of books worth thinking about is those that aren't magicial but have influenced your magicial thinking. I'm thinking here of "Impro" by Keith Johnstone (a reference nicked off Phil Hine) which is an experimental drama book, but contains loads of hints on spontaneity, visualiation and a whole chapter on maskwork. I'd like to read about somemore titles which have this kind of crossover edge to them, if anone can think of any.
Sorry to drag things off-topic, Ican shift it to a new thread if people want.
(threadrot - may take me a while to set this up though, as I'm not online during the day at the minute /endrot) |
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